Emily Pwerle

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Emily Pwerle - Awelye - Boomerang Art - Emily Pwerle - #product _type#
90 x 120 cm

Awelye

5343 /
90 x 120 cm
$6,480.00 AUD
Aboriginal painting by Emily Pwerle
180 x 360 cm

Awelye - Body Paint

3630 /
180 x 360 cm
$88,000.00 AUD
Aboriginal Art by Emily Pwerle
120 x 180 cm

Awelye - Body Paint

3965 /
120 x 180 cm
$12,960.00 AUD
Awelye - Women's CeremonyOriginal Aboriginal ArtEmily PwerleBoomerang Art
120 x 150 cm

Awelye

4218 /
120 x 150 cm
$10,800.00 AUD
Aboriginal Art by Emily Pwerle
120 x 150 cm

Awelye

4213 /
120 x 150 cm
$10,800.00 AUD
Awelye AtnwengerrpOriginal Aboriginal ArtEmily PwerleBoomerang Art
122 x 180 cm

Awelye

3602 /
122 x 180 cm
$16,000.00 AUD
Awelye - Women's CeremonyOriginal Aboriginal ArtEmily PwerleBoomerang Art
123 x 196 cm

Awelye

5362 /
123 x 196 cm
$12,900.00 AUD
Aboriginal Painting by Emily Pwerle
143 x 197 cm

Awelye

5394 /
143 x 197 cm
$16,900.00 AUD
Awelye - Women's CeremonyOriginal Aboriginal ArtEmily PwerleBoomerang Art
120 x 150 cm

Awelye - Body Paint

4440 /
120 x 150 cm
$10,800.00 AUD
Awelye - Women's CeremonyOriginal Aboriginal ArtEmily PwerleBoomerang Art
120 x 150 cm

Awelye

4200 /
120 x 150 cm
$10,800.00 AUD
Awelye
90 x 120 cm

Awelye

4423 /
90 x 120 cm
$6,480.00 AUD
Awelye
90 x 120 cm

Awelye

4420 /
90 x 120 cm
$4,400.00 AUD


 

 

 

 

 

 

 

 

 

Emily Pwerle was born c 1922 and shares the same country and languages with her sisters Galya, Molly and Minnie Pwerle. She also shares the same dreamings. As was the case with her sister she started painting at the workshops arranged by her niece, Barbara Weir, in 2004

Emily, along with her sisters Galya and Molly, could not have had better teachers (Barbara, an international star and Minnie who was widely collected in Australia and elsewhere). 

When Emily paints “Awelye Atnwengerrp (women’s ceremony), she employs a series of lines and symbols and often criss-crossed patterns. These are frequently laid one on top of another in colours that are expressive, colourful and dynamic. Her patterns originate in body design and were an integral part of ceremonies. 

The nature of Emily’s paintings encapsulates the way of life of her family. She now turned 100 and can recall and produce notions of those early days and nights where ceremony was such an integral part of her life.  This contact with a stone-age culture is rapidly diminishing but may still be made through the work of Emily and her sisters. 

Although the sisters share the same Dreaming, each has developed a unique own contemporary style.